Remastered re-issue of her 2016 album of otherworldly funeral chants...in her own words she describes the inception of the album; "This album was a completely impulsive act, the realization of a regular artistic idea, which initially did not mean the final result. This idea was inspired by my great-grandfather, who devoted his whole life to serving the ceremony of "following the dead" (Νεκρώσιμος Ἀκολουθία) and classic examples of ancient Greek literature. But in the end, "Monochromia" became one of my first big works. Here, only the "dialogizing" musical-improvisational experiment and the very nature of the ancient Greek tragedy, which demonstrate the archaic principle of distribution and the interaction of ordinary and ritual violence in the system of relations between man and metaphysics, were of importance. And of course, a large space of the theme of death opens up here. In turn, it is the theme of “sacred violence”, funeral, burial, and initiating rites that is the ideological basis for me throughout my creative activity. Certainly, in this situation, the opportunity, with the help of other people, in a closed space, to recreate a mass state of comprehension of death, is very interesting. Indeed, for this it is necessary to violate, among other things, the bodily and mental boundaries of the participant in such an act, to create a precedent for trauma and deformation, transforming these actions into an audial pit. I just invited all of us, the participants, to cry and grieve together. Perhaps, if I had known in advance that this music would become an album, I would have brought this central state to its apogee and horror. But in the current situation, it turned out to be a very “humane” anthem of human death. Of course, this softness, which is not characteristic of my other works, the sound of "Monochromia" acquired in many respects thanks to a group of initiative people who wanted to take part in this, and I just acted here as a guide and a mirror. This is more a story about mourners at other people's funerals. At that moment in my life, it was this wonderful tradition that seemed to me the most valuable experience."

CD Edition fo 300 copies in 4 panels Digisleeve, Mat lamination. 7 Tracks.

A hundred years of WITCHCRAFT THROUGH THE AGES: In 1922 Benjamin Christensen’s film HÄXAN was unleashed and left a significant mark in history of film to this day. This psychological portrayal of occultism and inquisition combined a critical perspective on religion and patriarchy with stunning visions of possession, sabbath rituals, torture, and demons.

In celebration of this 100th anniversary, German ritual formation VORTEX has developed a brooding, percussive and complex musical work evoking hidden energies and abyssal spirituality. Having dealt with Vorticism (ROCKDRILL), ancient mythology (KALI YUGA, MOLOCH, AS GODS FALL) and solar rituals (HELIOZ) before, HÄXAN represents an epic new level for VORTEX's energetic ritual sound, based on drones, gongs, throat singing, percussion, strings, guitars, horns, and processed field recordings. Both Vinyl and the accompanying CD included in this set contain completely different mixes of two main compositions: The vinyl mix is a dynamic, drone guitar driven post-industrial collage, while the CD reduces this approach to its dark ambient core. Both versions are apocalyptic soundtracks in their own right and are intended for rituals, meditation and a deep listening experience.

For the recording of HÄXAN Vortex founder Marcus Stiglegger teamed up with Oliver Freund (of MARS and Vinur), who also supports the live rituals of the band. Live rituals dedicated to HÄXAN will start on Samhain 2022 (International Film Festival Braunschweig) and continue from there on. The CD contains one bonus track featuring the voice of Galla Borowski. Mastered by Frédéric Arbour at Cyclic Law.

The hypnotic and surreal artwork concept of the album is completely based on chalk drawings by shamanic artist Nadine en Noir inspired by key moments of the film HÄXAN.

Limited Edition Vinyl & CD set of 300 copies, in Gatefold Sleeve, matt lamination with attached CD in centerfold. Vinyl Running Time: 44:00, contains 2 tracks. CD running Time: 49:12, contains 3 tracks.

We warmly welcome US based soundscape artist Caldon Glover. Thematically "Labyrintia" was imagined as a structure in space older than humanity that runs sideways to our own universe, connecting physical and temporal spaces in our universe and the ur-universe alike that would otherwise be impossible to reach. Sonically it uses a blend of primitive acoustic folk instruments, as well as organic and electronic sound sources to create an ancient and timeless sound that evokes feelings of the rituals of a cthonic cults lost in other realms, as they worked tirelessly to open a door into this endless maze, to find their way home or to further their journey. Artwork by Nihil.

Edition of 300 copies in 6 panel Digisleeve, matt lamination. 7 Tracks.

Using as sole sound source an antique German made Mannborg Harmonium, øjeRum skillfully crafted long drony melodic pieces filled with a sense of longing, of fading memories. Located in an old house in the Danish country side, in a room mostly left unused and only heated for special occasions, the harmonium has been affected by the dampness of its environment, causing it to slowly deteriorate and giving it a very unique sound and character. These attributes were accentuated and put forth with the choice of slow, repetitive passages, at times almost reaching a breaking point. We've packaged the whole in an A5 sleeve which features 6 collages from the Reversed Cathedral series. Another tour the force by this uncompromising and highly talented artist.

Edition of 300 copies, in 6 panel A5 sleeve. 12 Tracks.